By Eylem Ejder
This is the second part of a conversation series I initiated in June 2019 in order to make the young, creative and critical voices of theatre and performing arts in Turkey more visible and audible. I hope …
By Eylem Ejder
This is the second part of a conversation series I initiated in June 2019 in order to make the young, creative and critical voices of theatre and performing arts in Turkey more visible and audible. I hope …
By Laura Chakravarty Box
Fatima Gallaire (née Bourega) was a remarkable woman of letters who has left a prolific body of work: short stories, screenplays, documentaries, novels for adults and children, poems, and over thirty plays for adults and young …
By Girgis Shoukry
Translated by Dalia Basiouny
Lenin El Ramly did not engage with the theatre community’s debates about forms of stage writing, origins of Egyptian theatre, theories, festivals, or even awards. Instead he focused his writing on the Egyptian …
By Robert Myers
On May 13 of this year, the theatre, the Arab world and those who care about literature and culture lost a great friend, scholar and brilliant director and playwright, Mohammad Riad Hussein Ismat to the Covid 19 …
By Daniela Potenza
While Egypt was still in revolt, especially in 2011, some plays emerged as a continuation of the revolution.[1] Acclaimed performances, such as Dalia Basiouny’s Solitaire, and Laila Soliman’s No Time for Art were sincere expressions …
The Egyptian scholar Nehad Selaiha, who died in 2017, has long been recognized as the leading theatre critic of the Arab World. In 2003 and 2004 she selected around 300 out of the several thousand essays on Arab and international …