Tayeb Saddiki and the Re-invention of Tradition in Contemporary Moroccan Theatre An Obituary by Khalid Amine & Marvin Carlson Arab Stages, Volume 2, Number 2 (Spring 2016) ©2016 by Martin E. Segal Theatre Center Publication
Tayeb Saddiki (1938- 2016) was …
The Local Otherness: Theatre Houses in the United Arab Emirates By Ziad Adwan Arab Stages, Volume 2, Number 2 (Spring 2016) ©2016 by Martin E. Segal Theatre Center Publications
Abstract
This article examines the function of theatre houses in the …
Yussef El Guindi’s Arab Spring: Revolutions, Upheavals, and Critical Critiques By Michael Malek Najjar Arab Stages, Volume 2, Number 2 (Spring 2016) ©2016 by Martin E. Segal Theatre Center Publications
Egyptian-American playwright Yussef El Guindi is arguably the most …
Parsing Disgraced: An Assault, A Critique, and A Truce By Jamil Khoury Arab Stages, Volume 2, Number 2 (Spring 2016) ©2016 by Martin E. Segal Theatre Center Publication
The staff at Silk Road Rising crafted a set of questions …
On Ayad Akhtar’s Disgraced By Torange Yeghiazarian Arab Stages, Volume 2, Number 2 (Spring 2016) ©2016 by Martin E. Segal Theatre Center Publication
“I can’t help but feel conflicted when I hear Muslim audience members outraged at the way they …
Body Politics in Adham Hafez Company’s 2065 BC By Chloë Edmonson Arab Stages, Volume 2, Number 2 (Spring 2016) ©2016 by Martin E. Segal Theatre Center Publication
New York Live Arts hosts the Live Ideas Festival each Spring under a …
A Counterpoint Reading of the Moussem Cities@Tunis Festival By Joachim Ben Yakoub & Fida Hammami Arab Stages, Volume 2, Number 2 (Spring 2016) ©2016 by Martin E. Segal Theatre Center Publication
The censorship and strict regulation of the public sphere …
The Last Supper by Ahmed El Attar By Marvin Carlson and Philippa Wehle Arab Stages, Volume 2, Number 2 (Spring 2016) ©2016 by Martin E. Segal Theatre Center Publication
Despite the overthrow of Hosni Mubarak in 2011 and the coming …
Arab Angst on Swedish Stages I Came to See You by Karim Rashed, Directed by Robert Jelinek and Petra Brylander A Theatre Review by Margaret Litvin Arab Stages, Volume 2, Number 2 (Spring 2016) ©2016 by Martin E. Segal Theatre…
Two Egyptian Playwrights in Boston: Hany Abdel Naser’s They Say Dancing is a Sin and Yasmeen Emam’s The Mirror A Theatre Review by Sarah Moawad Arab Stages, Volume 2, Number 2 (Spring 2016) ©2016 by Martin E. Segal Theatre Center…
On Michael Najjar’s Direction of Scorched by Wajdi Mouawad A Theatre Review by Torange Yeghiazarian Arab Stages, Volume 2, Number 2 (Spring 2016) ©2016 by Martin E. Segal Theatre Center Publication
Civil war is complicated. It is by definition the …
AB: Beit Byout by Tahweel Ensemble Theatre in Beirut A Theatre Review by Michael Malek Najjar Arab Stages, Volume 2, Number 2 (Spring 2016) ©2016 by Martin E. Segal Theatre Center Publication
I must admit that I was skeptical when …
Four Arab Hamlet Plays eds. Marvin Carlson and Margaret Litvin with Joy Arab A Book Review by Safi Mahmoud Mahfouz Arab Stages, Volume 2, Number 2 (Spring 2016) ©2016 by Martin E. Segal Theatre Center Publication
Four Arab Hamlet Plays,…
The Cart A Play by Hamed Almaliki Translated by Alyaa A. Naser Arab Stages, Volume 2, Number 2 (Spring 2016) ©2016 by Martin E. Segal Theatre Center Publications
(An Iraqi house, a poor one; there is nothing but eroded …
Rubbish A Play by Ali Abdulnebbi Al Zaidi Translated into English by Alyaa A. Naser Arab Stages, Volume 2, Number 2 (Spring 2016) ©2016 by Martin E. Segal Theatre Center Publications
Characters:
MOTHER
SHERIF[1]: her son
AFAF…
