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Issue 14, Spring 2023

“Indigenous Avant-Gardes”: The Shiraz Arts Festival and Ritual Performance Theory in 1970s Iran by Matthew Randle-Bent

Up There by Wael Kadour, Introduction by Edward Ziter

Baba written by Denmo Ibrahim, directed by Hamid Dehghani, reviewed by Suzi Elnaggar

Decolonizing Sarah: A Hurricane Play written and directed by Samer Al-Saber, reviewed by George Potter

Layalina written by Martin Yousif Zebari, directed by Sivan Battat, reviewed by Sami Ismat

Mother Courage adapted and directed by Alison Shan Price, reviewed by Hassan Hajiyah

Playwright Showcase, New Arab American Theater Works, reviewed by Katherine Hennessey

Review of MUKHRIJĀT AL-MASRAḤ AL-MIṢRĪ (1990-2010): DIRĀSA SĪMIYŪṬĪQĪYAH [Female Egyptian Directors (1990-2010): A Semiotic Study], written by Hadia Abd El-Fattah, reviewed by Areeg Ibrahim

Review of Theaters of Citizenship: Aesthetics and Politics of Avant-Garde Performance in Egypt written by Sonali Pahwa, reviewed by Suzi Elnaggar

Review of Syrian Refugees, Applied Theater, Workshop Facilitation, and Stories: While They Were Waiting written by Fadi Skeiker, reviewed by Sonja Arsham Kuftinec

Attribution-NonCommercial-ShareAlike 4.0 International

This entry is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license.

Arab Stages is a publication of the Martin E. Segal Theatre Center ©2024
ISSN 2376-1148

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